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Lesson Objectives
Lesson Objectives
Students will study T. S. Eliot’s The Love Song of J. Alfred Prufrock (1915) as one of the most influential poems of Modernism. They will explore how the poem reflects early twentieth-century disillusionment, cultural uncertainty, and individual anxiety. Special attention will be given to Eliot’s experimental techniques such as fragmentation, stream of consciousness, irony, symbolism, and his rejection of traditional poetic forms. By analyzing these features, students will understand how Eliot reshaped poetry to reflect the fractured human experience of the modern age.
Use this structured table to analyze Modernist features in Eliot’s poem: Fragmentation → Stream of Consciousness → Urban Alienation → Anxiety and Paralysis → Irony → Allusion → Symbolism → Rejection of Tradition → Universal Message.
| Step | Focus Area | What to Include | Example Phrases (Set 1) | Example Phrases (Set 2) | Example Phrases (Set 3) |
|---|---|---|---|---|---|
| 1. Introduction | Context of the poet |
|
“T. S. Eliot’s Prufrock captures the uncertainty and fragmentation of modern life. By portraying Prufrock’s indecision and fragmented thoughts, Eliot mirrors the cultural despair of a society emerging from Victorian ideals into a disordered modern world.” | “Written in 1915, the poem’s lack of linear narrative and abrupt shifts in tone break from traditional forms. This technique illustrates the fractured consciousness of the modern age, emphasizing subjective experience over external events.” | “Eliot presents Prufrock as a symbol of modern man—hesitant, alienated, and spiritually exhausted. His inner turmoil represents the anxieties of a generation facing urban alienation, moral uncertainty, and existential questioning.” |
| 2. Fragmentation | Discontinuity |
|
“The poem abruptly shifts from casual city imagery (‘the evening spread out against the sky like a patient etherized upon a table’) to existential anxiety (‘Do I dare disturb the universe?’). This sudden change shows how modern consciousness lacks a continuous narrative, reflecting inner fragmentation.” | “Fragmentation mirrors the instability of modern identity. By presenting disconnected scenes, Eliot captures the chaotic nature of thought, where Prufrock’s concerns, memories, and observations collide without smooth transitions.” | “Eliot’s deliberate breaking of coherence mirrors the disunity of modern life. The juxtaposition of trivial social moments with deep existential reflection emphasizes disillusionment and cultural fragmentation.” |
| 3. Stream of Consciousness | Interior Monologue |
|
“Prufrock’s wandering thoughts reveal insecurity, hesitation, and paralysis. The use of stream of consciousness allows readers to experience his fragmented, circular thought patterns firsthand, making his psychological state tangible.” | “Through interior monologue, the poem draws readers into Prufrock’s subjective world. Questions like ‘How should I presume?’ and repeated self-doubt immerse the reader in his anxious perspective, demonstrating the introspective focus of Modernism.” | “The constant repetition and looping of ideas shows his inability to act decisively. Stream of consciousness emphasizes modern man’s preoccupation with internal fears over external action.” |
| 4. Urban Alienation | City life |
|
“The city, full of ‘sawdust restaurants’ and ‘one-night cheap hotels,’ reflects moral and spiritual decay. These images suggest a cold, impersonal urban life that alienates individuals and highlights modern isolation.” | “Eliot’s urban imagery conveys isolation and emotional emptiness. Prufrock moves through streets where human connection is fleeting, emphasizing the disconnection of city life.” | “The impersonal city functions as a metaphor for modern alienation. The setting externalizes Prufrock’s inner loneliness and mirrors the broader social fragmentation of the modern era.” |
| 5. Anxiety and Paralysis | Anti-hero theme |
|
“Prufrock is the anti-hero—indecisive, insecure, and paralyzed by self-consciousness. His inability to act illustrates the modern man’s struggle to assert agency in a fragmented, impersonal world.” | “Rather than heroic passion, Prufrock’s ‘love song’ exposes hesitation and failure. His repeated questioning and self-doubt dramatize the modern condition of emotional paralysis and anxiety.” | “The repetition of ‘Do I dare?’ dramatizes modern anxiety and indecision. Prufrock’s inability to make choices becomes a universal symbol of human hesitation in the modern era.” |
| 6. Irony & Anti-Romanticism | Subversion |
|
“The poem’s ironic title, ‘Love Song,’ contrasts sharply with its content: Prufrock’s hesitation and insecurity dominate, subverting the reader’s expectation of romance.” | “Prufrock’s obsession with appearance (‘I grow old… I grow old…’) undercuts traditional romantic ideals and mocks the notion of heroic love, highlighting the futility of modern aspiration.” | “Irony permeates the poem, reflecting Modernism’s rejection of conventional ideals. Prufrock’s failed attempts at action and love emphasize the emptiness of societal expectations.” |
| 7. Allusion & Intertextuality | Cultural references |
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“Allusions situate Prufrock in a rich cultural and literary context. The Dante epigraph hints at confession, but Prufrock’s voice remains unheard, highlighting isolation and failure to meet heroic standards.” | “Shakespearean references, especially to Hamlet, underscore Prufrock’s indecision and weakness, framing him as an anti-hero incapable of decisive action.” | “The epigraph and biblical allusions emphasize the contrast between traditional heroic or moral figures and Prufrock’s inadequacy, reinforcing Modernist themes of cultural disillusionment.” |
| 8. Symbolism & Imagism | Poetic imagery |
|
“The yellow fog creeping along the streets symbolizes moral paralysis and stagnation, reflecting Prufrock’s inability to act and the lethargy of modern life.” | “Recurring imagery of clocks and time (‘there will be time’) emphasizes wasted life, missed opportunities, and the inevitability of decline, creating a poignant Modernist meditation on mortality.” | “Eliot’s imagist technique—small precise details like ‘coffee spoons’—reflects the mundane emptiness of everyday existence, intensifying the reader’s sense of Prufrock’s constrained world.” |
| 9. Rejection of Traditional Form | Free verse |
|
“Eliot rejects strict Victorian rhyme schemes, using irregular free verse to capture the unpredictability and fragmentation of modern thought.” | “The broken rhythm and unconventional line breaks mirror Prufrock’s fragmented consciousness and create a conversational, almost hesitant tone.” | “This innovative form embodies Modernism’s revolt against traditional poetic expectations and emphasizes the need for new forms to express modern experience.” |
| 10. Conclusion | Universal Message |
|
“The poem dramatizes the universal modern struggle with alienation, indecision, and the search for meaning in a rapidly changing world, making Prufrock’s personal anxiety emblematic of broader societal concerns.” | “Prufrock’s hesitant and introspective voice resonates with the spiritually exhausted modern self, representing the psychological complexities of early twentieth-century individuals.” | “Through Prufrock, Eliot captures both the intimate anxiety of one man and the overarching uncertainty of the modern condition, offering insight into existential questions faced by humanity.” |
The Love Song of J. Alfred Prufrock
Comprehensive Summary
T. S. Eliot’s poem The Love Song of J. Alfred Prufrock is a dramatic monologue that reveals the thoughts of a timid, self-conscious man named Prufrock. Instead of telling a direct story, the poem explores his inner world of hesitation, anxiety, and regret. Prufrock invites the reader to walk with him through “half-deserted streets” of a modern city at night. The urban setting, with its fog and smoke, mirrors his uncertainty and sense of lifelessness. For instance, he describes the evening sky as “like a patient etherised upon a table,” an image that shows paralysis and numbness.
As he walks, Prufrock thinks about entering drawing rooms where “the women come and go / Talking of Michelangelo.” These lines show the shallow, cultured conversations of polite society, which make him feel out of place and inadequate. He notices trivial details, like his “bald spot in the middle of my hair,” revealing his insecurity about aging and appearance. Even in social situations, he is consumed by fear of judgment. He imagines others silently criticizing him, which makes him withdraw even further.
A major theme of the poem is Prufrock’s habit of delay. He repeats, “There will be time,” convincing himself that he can always act later. Yet this phrase becomes ironic, as he admits that he has “measured out my life with coffee spoons.” His life has been wasted in small, repetitive routines, with no bold or meaningful choices. He wonders whether he should speak his true feelings, but each time he pulls back, asking, “Do I dare disturb the universe?” This shows how even small actions seem frightening and impossible for him.
Prufrock compares himself briefly to Hamlet, but quickly rejects the idea. He insists he is not the tragic hero, but rather “an attendant lord”—someone minor, who assists others but never takes the lead. This comparison highlights his deep lack of confidence. He accepts himself as cautious, aging, and insignificant. He imagines his old age in comic but sad images: “I shall wear the bottoms of my trousers rolled” and wonders “Do I dare to eat a peach?” Even ordinary decisions become sources of doubt.
Towards the end, Prufrock dreams of the sea, imagining “mermaids singing, each to each.” These mermaids symbolize romance, beauty, and freedom, but he quickly adds, “I do not think that they will sing to me.” He feels excluded from love and joy, convinced that such experiences belong to others, not him. The poem closes with the haunting line, “Till human voices wake us, and we drown.” This suggests that Prufrock’s dreams are destroyed by reality, leaving him overwhelmed by fear, time, and hopelessness.
In short, the poem is not a love song in the usual sense, but rather a confession of doubt, hesitation, and lost opportunities. Through images of the city, the fog, social gatherings, aging, and the sea, Eliot paints the portrait of a modern man paralyzed by overthinking. Prufrock’s voice captures the loneliness and insecurity of modern life, making the poem a powerful study of fear, isolation, and regret.
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