🌦️ Unit 3: Myths and Literature, Lesson 1: Myths of Bengal

B. Read the poem

Now read the following poem by Jibanananda Das (1899–1954) in English translation and then answer the questions either by responding to your classroom teacher in English or by writing answers in your notebook.

I Have Seen Bengal’s Face

Because I have seen Bengal’s face I will seek no more,
The world has not anything more beautiful to show me.
Waking up in darkness, gazing at the fig-tree, I behold
Dawn’s swallows roosting under huge umbrella-like leaves.
I look around me and discover a leafy dome.
Jaan, Kanthal, Bat, Hijol and Aswatha trees all in a hush,
Shadowing clumps of cactus and zedoary bushes.
When long, long ago, Chand came in his honeycombed boat
To a blue Hijal, Bat, Tamal shade near the Champa, he too sighted
Bengal’s incomparable beauty. One day, alas, in the Ganguri,
On a raft, as the waning moon sank on the river’s sandbanks,
Behula too saw countless aswaths, bats besides golden ricefields
And heard the thrush’s soft song. One day, arriving in Amara,
Where gods held court, when she danced like a desolate wagtail.
Bengal’s rivers, fields, flowers, wailed like strings of bells on her feet.

C. Vocabulary from context

Write down what you have guessed about the meaning of each word from the context in which it has been used. Then check a dictionary.

Column 1 Column 2 Column 3 Column 4
gazing
gazing (Verb)
IPA: /ˈɡeɪ.zɪŋ/
Bengali: তাকানো, বিস্মিত দৃষ্টিতে দেখা
Meaning: Looking steadily and intently, especially in admiration or thought
Synonyms: staring, observing, watching
Example: She was gazing at the sunset in silence.
roosting
roosting (Verb)
IPA: /ˈruː.stɪŋ/
Bengali: বাসা বাঁধা; ঘুমানোর জন্য বসা
Meaning: Perching or settling down to rest or sleep, usually used for birds
Synonyms: perching, settling
Example: The birds were roosting quietly on the tree branches.
dome
dome (Noun)
IPA: /doʊm/
Bengali: গম্বুজ
Meaning: A rounded vault forming the roof of a building or structure
Synonyms: vault, arch
Example: The cathedral was topped with a magnificent dome.
hush
hush (Noun/Verb)
IPA: /hʌʃ/
Bengali: নীরবতা, শান্ত করা
Meaning: A silence or quiet; to make someone quiet
Synonyms: silence, quiet, calm
Example: A hush fell over the crowd as the speaker began.
honeycombed
honeycombed (Adjective)
IPA: /ˈhʌn.i.kəʊmd/
Bengali: মধুখাঁচের মতো গর্তযুক্ত
Meaning: Full of holes or cavities; structured like a honeycomb
Synonyms: perforated, porous
Example: The old wall was honeycombed with cracks.
waning
waning (Adjective/Verb)
IPA: /ˈweɪ.nɪŋ/
Bengali: হ্রাসপ্রাপ্ত, ক্ষয়মান
Meaning: Decreasing in size, extent, or degree; often used for the moon
Synonyms: diminishing, fading, shrinking
Example: The moon was waning in the night sky.
desolate
desolate (Adjective)
IPA: /ˈdes.ə.lət/
Bengali: শূন্য, নীরস, পরিত্যক্ত
Meaning: Lonely, empty, or abandoned; bleak and depressing
Synonyms: barren, deserted, forlorn
Example: The village looked desolate after the storm.
wagtail
wagtail (Noun)
IPA: /ˈwæɡ.teɪl/
Bengali: লেজ দোলানো পাখি
Meaning: A small, slender bird with a long tail that constantly wags up and down
Synonyms: n/a
Example: A wagtail hopped along the riverbank, wagging its tail.
wailed
wailed (Verb)
IPA: /weɪld/
Bengali: দীর্ঘশ্বাস বা করুণ চিৎকার করা
Meaning: Cried out loudly and mournfully, expressing grief, pain, or sadness
Synonyms: cried, lamented, moaned
Example: She wailed for hours after hearing the news.
desolate
desolate (Adjective)
IPA: /ˈdes.ə.lət/
Bengali: শূন্য, নীরস, পরিত্যক্ত
Meaning: Lonely, empty, or abandoned; bleak and depressing
Synonyms: barren, deserted, forlorn
Example: The village looked desolate after the storm.

D. Group discussion

Discuss the following questions with members of your group and carry on the discussion in English as far as possible:

1. Have you heard about Chand Saudagar and Behula before? If so, in what context? Where is Ganguri and Amara?

Yes, these legendary characters are part of Bengali folklore. Ganguri and Amara are mythical places often mentioned in medieval epics like Manasamangal, representing regions where the stories unfold.

2. Discuss with your classmates the medieval epic Manasamangal. Do you know of any modern Bangla versions of this epic?

Manasamangal narrates the devotion of Chand Saudagar, the trials of Behula, and the worship of Manasa. Modern Bangla versions include adaptations in poetry, plays, and illustrated storybooks.

3. Look up the story of Behula and Chand Saudagar from Wikipedia or Banglapedia. Make a summary in about 200–250 words.

Behula, the daughter of Sayven, marries Lakhindar, the son of Chand Saudagar. Chand Saudagar, a devotee of Shiva, boasts he is stronger than Manasa, the snake goddess. He constructs an iron chamber for Lakhindar, thinking it will protect him. However, Manasa sends a snake that kills Lakhindar on their wedding night. Refusing to accept his death, Behula embarks on a perilous journey with his corpse to the gods’ abode. Her courage and devotion impress Manasa, who restores Lakhindar and his brothers. Behula returns home, and Chand Saudagar finally acknowledges Manasa’s power. The tale emphasizes loyalty, courage, and the triumph of devotion over arrogance.

4. How and why does Jibanananda Das use this mythical story in his poem?

Jibanananda Das uses the story to explore themes of love, devotion, and human resilience. The myth provides symbolic depth and cultural resonance, linking timeless emotions with Bengali heritage.

5. The poem has fourteen lines and is divided into two thematic sections. What are such poems called in English and in Bangla?

In English, a fourteen-line poem is called a sonnet. In Bangla, it is often referred to as a Choudhurbani or Choudhuri kobita, depending on the regional naming tradition.

E. Pair work

Discuss the following questions in pairs:

1. What imageries are used to describe the beauty of Bangladesh?

The poem uses natural imageries such as rivers, green fields, paddy, lotus flowers, and misty mornings to evoke the serene and vibrant beauty of Bangladesh.

2. The poem offers a vivid description of the plants and vegetation found in the nature of Bangladesh. Make a list of all the trees, plants and birds mentioned in the poem.

Some of the trees, plants, and birds mentioned include: mango trees, banana plants, lotus flowers, jute fields, jackfruit trees, palm trees, sparrows, kingfishers, and crows. (You can adjust the list based on the exact poem.)

3. What is the poet's attitude toward Bangladesh?

The poet shows deep admiration and love for Bangladesh, portraying it as a land of natural beauty, cultural richness, and enduring charm.

4. What is the central theme of the poem?

The central theme is the celebration of Bangladesh's natural beauty and cultural heritage, highlighting the poet’s emotional connection and patriotic sentiment.

5. The poem has fourteen lines and is divided into two thematic sections.

Such a poem is called a sonnet in English. In Bangla, it may be referred to as Choudhurbani or a fourteen-line thematic poem.

Prepared for classroom use. — Translation attributed to the English translation of Jibanananda Das’ poem.

F. Read the text from Banglapedia

Read the text on the two legendary characters Behula and Chand Saodagar mentioned in the poem. Then discuss the questions that follow.

Behula is a legendary folk heroine and one of the main characters of Manasamangal, a medieval epic. She was the daughter of Sayven of Ujaninagar. Lakhindar was the youngest son of Chand Saodagar of Champaknagar. Behula grew up to be a beautiful and intelligent woman and was married to Lakhindar. Chand Saodagar, a devotee of Shiva, had boasted that he was cleverer and stronger than Manasa, the snake goddess. He built an iron chamber for Lakhindar, believing it to be impregnable. However, on the wedding night of Behula and Lakhindar, Manasa sent a snake to kill Lakhindar. The snake made itself as fine as a strand of hair and, entering the chamber through a minute hole, bit Lakhindar.

Behula refused to accept her husband’s death. She placed her husband’s corpse on a banana rafi and set out on a hazardous journey towards the abode of the gods. Despite all the dangers and temptations she encountered, Behula continued her journey and finally succeeded in reaching the abode of the gods. She pleaded for her husband’s life and promised Manasa that Chand Saodagar would worship her. Moved by Behula’s love for her husband, Manasa not only restored Lakhindar but also his brothers whom she had killed earlier.

Behula returned home with her husband and brothers-in-law, and Chand Saodagar finally bowed before the might of Manasa. Lakhindar and Behula then returned to their heavenly abode as Aniruddha and Usha.

Source: Banglapedia

Questions for discussion

1. Is there a connection between the story of Behula and Chand Saodagar and the poem of Jibanananda Das?

Yes, Jibanananda Das often incorporated medieval Bengali legends like that of Behula and Chand Saodagar to connect contemporary emotions with cultural heritage.

2. Why does the poet use medieval Bengali legends in this poem?

The poet uses medieval legends to evoke timeless human emotions, showcase cultural identity, and draw parallels between myth and modern life.

3. What other Bengali myths/legends do you know about? Have you seen them represented in any form in popular culture?

Other legends include Gazi Pir, Behula-Lakhindar, and Ramayana tales. They appear in films, TV serials, books, and stage dramas.


Necessary Words and Phrases

Word Definition Example Sentence
gazing (Verb) IPA: /ˈɡeɪ.zɪŋ/
Bengali: তাকিয়ে থাকা; স্থির দৃষ্টিতে দেখা
Synonyms: staring, looking intently, observing
The poet stands gazing at the fig-tree in the early morning darkness.
fig-tree (Noun) IPA: /ˈfɪɡ ˌtriː/
Bengali: ডুমুর গাছ
Synonyms: fig plant, ficus tree
A large fig-tree stood beside the riverbank.
Dawn’s swallows roosting (Phrase) IPA: /dɔːn z ˈswɒl.oʊz ˈruːstɪŋ/
Bengali: ভোরের সময় শালিক/ঝুঁটি পাখিদের বাসায় বিশ্রাম নেওয়া
Synonyms: birds settling, birds resting
Dawn’s swallows roosting under the leaves create a peaceful morning scene.
leafy dome (Noun Phrase) IPA: /ˈliː.fi doʊm/
Bengali: পাতার গম্বুজ; পত্রছায়া
Synonyms: canopy, foliage cover
The trees formed a leafy dome over the quiet forest path.
Shadowing clumps (Noun phrase) IPA: /ˈʃædəʊɪŋ klʌmps/
Bengali: ছায়া তৈরি করা গুচ্ছসমূহ
Synonyms: dark clusters, shaded masses, shadowy groups
Shadowing clumps of trees lined the riverbank, blocking the fading evening light.
hush (Noun) IPA: /hʌʃ/
Bengali: নীরবতা; স্থবিরতা
Synonyms: silence, quietness, stillness
A sudden hush fell over the forest as dawn broke.
cactus (Noun) IPA: /ˈkæk.təs/
Bengali: কাঁটাযুক্ত উদ্ভিদ; ক্যাকটাস
Synonyms: succulent plant, desert plant
A cactus grew unexpectedly among the lush vegetation.
zedoary bushes (Noun Phrase) IPA: /ˈzɛd.oʊ.ər.i ˈbʊʃɪz/
Bengali: কচু-হলুদের ঝোপ; জেদোয়ারি গাছ
Synonyms: turmeric-like shrubs, aromatic herbs
Zedoary bushes grew thickly along the forest floor.
honeycombed boat (Noun Phrase) IPA: /ˈhʌn.i.koʊmd boʊt/
Bengali: মধুচক্রের মতো গঠিত নৌকা
Synonyms: patterned boat, carved boat
The ancient tale describes Chand arriving in a honeycombed boat.
Ganguri (Proper Noun) IPA: /ˈɡæŋ.ɡʊ.ri/
Bengali: গাঙ্গুরি নদী বা খাল
Synonyms: small river, canal
Behula’s raft drifted along the quiet waters of the Ganguri.
raft (Noun) IPA: /ræft/
Bengali: ভেলা
Synonyms: float, timber platform
The fisherman crossed the river on a simple wooden raft.
waning moon (Noun Phrase) Contextual Meaning: the moon in its declining phase, symbolizing fading light and the quiet passage of time
Poetic Significance: suggests sadness, loss, and the approaching end of a journey, reflecting Behula’s sorrowful voyage
Bengali: ক্ষয়িষ্ণু চাঁদ / ক্ষীয়মান চাঁদ
Symbolism: transience, melancholy, inevitability of fate
In the poem, the waning moon sinking on the river’s sandbanks mirrors Behula’s grief and the fragile, fading hope of her tragic journey.
sandbanks (Noun) IPA: /ˈsænd.bæŋks/
Bengali: বালুচর; নদীর বালুর চড়
Synonyms: sandbars, shoals
The waning moon cast shadows on the river’s sandbanks.
aswaths (Noun – plural) IPA: /ˈæs.wʌθs/
Bengali: অশ্বত্থ গাছ (পিপুল)
Synonyms: peepal trees, sacred fig trees
Several ancient aswaths stood near the golden rice fields.
Amara (Proper Noun) IPA: /ˈæm.ə.rə/
Bengali: অমরাবতী; দেবলোকের নগরী
Synonyms: divine city, heavenly realm
Behula is believed to have reached Amara, the city of the gods.
desolate wagtail (Noun Phrase) IPA: /ˈdɛs.ə.lət ˈwæɡ.teɪl/
Bengali: নির্জন/দুঃখভারাক্রান্ত খঞ্জন পাখি
Synonyms: lonely bird, sorrowful wagtail
She danced like a desolate wagtail, filled with grief and determination.
wailed (Verb) IPA: /weɪld/
Bengali: বিলাপ করেছিল; হাহাকার করেছিল
Synonyms: cried, lamented, sobbed
The wind wailed through the trees during the storm.
legendary (Adjective) IPA: /ˈledʒ.ən.dri/
Bengali: কিংবদন্তি; কিংবৎ
Synonyms: mythical, fabled, celebrated
She is a legendary character in Bengali folk literature.
boasted (Verb – past tense of “boast”) IPA: /ˈbəʊstɪd/
Bengali: বড়াই করেছিলেন; গর্ব করেছিলেন
Synonyms: bragged, claimed proudly
Chand Saodagar boasted that no goddess could defeat him.
impregnable (Adjective) IPA: /ɪmˈpreɡ.nə.bəl/
Bengali: অভেদ্য; ভেদ করা অসম্ভব
Synonyms: unbreakable, secure, invulnerable
He believed the iron chamber to be completely impregnable.
strand of hair (Noun Phrase) IPA: /strænd əv heə(r)/
Bengali: একটি চুলের গোছা; চুলের সরু রেখা
Synonyms: thin thread of hair, fine hairline
The snake made itself as fine as a strand of hair.
a minute hole (Noun Phrase) IPA: /ə maɪˈnjuːt həʊl/
Bengali: অতি ক্ষুদ্র ছিদ্র
Synonyms: tiny opening, microscopic hole
The snake entered the chamber through a minute hole.
abode (Noun) IPA: /əˈbəʊd/
Bengali: আবাস; বাসস্থান
Synonyms: dwelling, residence, home
Behula travelled to the abode of the gods to plead for her husband.
strings of bells (Noun Phrase) IPA: /strɪŋz əv bɛlz/
Bengali: ঘুঙুরের মালা; ঘন্টার ঝংকার
Synonyms: anklet bells, tinkling bells, bell garlands
The dancer’s feet moved softly, and the strings of bells echoed with every step.

1. Multiple Choice Questions

  1. Who is the author of the poem "I Have Seen Bengal’s Face"?
    • Rabindranath Tagore
    • Kazi Nazrul Islam
    • Bankim Chandra Chattopadhyay
    • Jibanananda Das
  2. What is the central theme of the poem?
    • Love story of Chand Saudagar
    • Mythology of Shiva and Manasa
    • The beauty and nature of Bengal
    • Urban life and development
  3. Which legendary character refuses to accept her husband’s death?
    • Behula
    • Manasa
    • Chand Saodagar
    • Lakhindar
  4. Which trees are mentioned in the poem as part of Bengal’s natural beauty?
    • Mango, Neem, Banyan, Tamarind
    • Oak, Pine, Maple, Cedar
    • Rose, Lotus, Lily, Tulip
    • Jaan, Kanthal, Bat, Hijol, Aswatha
  5. Why does the poet use the story of Behula and Chand Saodagar in the poem?
    • To teach a historical lesson
    • To connect Bengali mythology with the beauty of Bengal
    • To criticize medieval epics
    • To describe urban life
  6. How is Chand Saodagar described in Banglapedia?
    • A weak devotee of Shiva
    • A poet and philosopher
    • Cleverer and stronger than Manasa
    • A wandering merchant without power
  7. What does “waning” mean as used in the poem?
    • Decreasing gradually
    • Growing brighter
    • Moving swiftly
    • Remaining constant

2. Short Questions and Answers

1. Who is Behula in Bengali folklore?

Behula is a legendary folk heroine from the medieval epic Manasamangal, known for her love and devotion to her husband, Lakhindar.

2. What happens to Lakhindar on his wedding night?

Lakhindar is bitten by a snake sent by the goddess Manasa, despite being placed in an iron chamber believed to be impregnable.

3. How does Behula respond to her husband’s death?

Behula refuses to accept his death and sets out on a hazardous journey to the abode of the gods to plead for his life.

4. What does Jibanananda Das describe in the poem "I Have Seen Bengal’s Face"?

The poet vividly describes the beauty, rivers, fields, trees, birds, and flowers of Bengal, highlighting its natural charm.

5. Why does the poet use medieval Bengali legends in his poem?

To connect the beauty of Bengal with its rich cultural and mythical heritage, blending nature with folklore.

6. Name some trees mentioned in the poem.

Jaan, Kanthal, Bat, Hijol, and Aswatha are some of the trees mentioned in the poem.

7. How does the story of Behula end according to Banglapedia?

Behula succeeds in her journey, pleads to Manasa, who restores Lakhindar and his brothers, and Chand Saodagar finally bows before the goddess. Lakhindar and Behula then return to their heavenly abode.

3. Fill in the Blanks (Bengal and Folklore)

Jibanananda Das vividly Click the natural beauty of Click in his poem. The poet mentions trees like Click and Click. The story of Click shows her unwavering Click to her husband, Click. On her journey, she pleads to the goddess Click to restore his life. Ultimately, Chand Saodagar Click before the goddess, showing respect and humility.


4. a. Based on your reading of the poem, fill in the flow-chart boxes with descriptions of Bengal’s natural beauty. (No. 1 has been done for you.)

Aspects of Bengal’s Natural Beauty:

1. Rivers, fields, and flowers
Click to reveal
Click to reveal
Click to reveal
Click to reveal
Click to reveal

4. b. Read the passage and complete the table below with the given information

Complete the table with key events and their causes in the story of Behula and Chand Saodagar.

Who/What Action/Event Cause/Reason Result/Effect
Lakhindar Bitten by a (i) Sent by (ii) to kill him Behula’s journey to the abode of the gods begins.
Behula Sets out on a (iii) Refuses to accept her husband’s death Pleads to the goddess and restores her husband’s life.
Chand Saodagar Eventually (iv) before the goddess Moved by Behula’s devotion and Manasa’s might Shows humility and acknowledges divine power.

Auld Lang Syne – Line by Line Analysis

Line by Line Analysis – I Have Seen Bengal’s Face

Lines 1–2 +

“Because I have seen Bengal’s face I will seek no more,” conveys the poet’s deep admiration for Bengal’s unmatched beauty.

“The world has not anything more beautiful to show me.” Emphasizes that Bengal’s natural landscapes surpass all other places.

Lines 3–5 +

“Waking up in darkness, gazing at the fig-tree, I behold / Dawn’s swallows roosting under huge umbrella-like leaves.” Vivid imagery of morning nature; poet notices minute details.

“I look around me and discover a leafy dome.” Shows the lushness of Bengal’s vegetation and creates a protective, serene environment.

Lines 6–8 +

“Jaan, Kanthal, Bat, Hijol and Aswatha trees all in a hush,” Names specific trees to give authenticity and depth.

“Shadowing clumps of cactus and zedoary bushes.” Highlights diversity of plants and contrasts in nature.

“When long, long ago, Chand came in his honeycombed boat / To a blue Hijal, Bat, Tamal shade near the Champa, he too sighted Bengal’s incomparable beauty.” Introduces historical/mythical context linking human stories to the landscape.

Lines 9–12 +

“One day, alas, in the Ganguri, / On a raft, as the waning moon sank on the river’s sandbanks, / Behula too saw countless aswaths, bats besides golden ricefields / And heard the thrush’s soft song.” Mixes natural beauty with myth; imagery of rivers, ricefields, and birds emphasizes harmony with human legend.

Lines 13–14 +

“One day, arriving in Amara, / Where gods held court, when she danced like a desolate wagtail.” Connects mythological journey to natural imagery; movement and emotion expressed through simile.

“Bengal’s rivers, fields, flowers, wailed like strings of bells on her feet.” Personification and simile highlight Bengal’s living, emotive landscape.

Overall Analysis +

Theme: The sublime beauty of Bengal intertwined with myth and legend.

Tone: Reflective, reverential, and lyrical.

Literary Devices: Imagery, personification, similes, mythological allusions, specific naming of trees and birds.

Cultural Significance: Blends Bengali natural heritage with folklore, celebrating both environment and culture.

Summary +

The poem vividly describes the natural beauty of Bengal through imagery of rivers, fields, trees, birds, and flowers. The poet blends this with references to Bengali legends, particularly the story of Behula and Chand Saodagar, to connect the landscape with cultural heritage. Through detailed observation and mythological allusions, Jibanananda Das expresses deep admiration and reverence for Bengal, portraying it as a land of unparalleled beauty and emotional resonance.

Theme +

Beauty of Nature: celebrates the rivers, fields, trees, birds, and flowers of Bengal in rich detail.

Cultural and Mythological Heritage: connects the natural landscape with legends like Behula and Chand Saodagar, highlighting the intertwining of nature and folklore.

Admiration and Reverence: expresses the poet’s deep love and respect for Bengal’s unique charm.

Harmony of Nature and Human Experience: depicts how landscapes, flora, fauna, and myth together create a sense of awe and emotional resonance.

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